Spring 2014 Issue
Agnes Etherington Art Centre. Log Cabin: A Canadian Quilt, 104 - 113
Adams, Sylvia. On Being Dickens, (verse), 296 – 297
Bourque, Jacqueline. Gripped, (verse), 146 – 147
Cox, Terrance. The Country South of Trenton (2/91), (verse), 138 – 141
Doig, Peter. No Foreign Lands, 114 – 131
Fraser, Sylvia. Mars and Venus Travel the World, 94 – 101
Fulford, Robert. Neither Times, nor Literary, nor Supplement, 72 – 81
Grady, Wayne. It’s Always Sunny and Warm in Windsor, 102 – 113
MacMillan, Margaret. Making War, Making Peace: Versailles, 1919, 24 – 37
Marshall, Lee. Nebraska, 82 – 93
Meagher, Michael. Fingerprints, (verse), 148
Meagher, Michael. Out of Work, (verse), 150
Nevinson, C.R.W. Painting the Great War, 6 – 23
O, Ernest. Where the Stores Close Early and There’s Only Two Bars, (verse), 144-145
Porter, Anna. Gorée Island: The Door of No Return, 38 – 45
Purdy, Al. Bruegel’s Icarus, (verse), 132 – 137
Rapley, John. Pirates of the Caribbean A Short (but True) Tale, 46 – 59
Simpson, Jeffrey. A Very Fine View of Canada, 60 – 71
Summer 2014 Issue
Centre Pompidou. Henri Cartier-Bresson, The Eye of the Century, 166 – 179
Clausen, Christopher. Being Cheap, 232 – 241
Day, David. The Letter, (verse), 298 – 299
Dewar, Kenneth C. Revolutionary Memoirs, 210 – 221
Finucan, Stephen. Fatima, (fiction), 276 – 283
Friesen, Eric. The Denk Variations, 252 – 261
Hall, Michael. CN Tower, (verse), 300 – 301
Harrison, Dawnell. The furies, (verse), 302 - 303
Herring, W. M. Homestead, (verse), 304 – 305
Kelly, Diane. New Zealand: Home of the “Remarkables”, 194 – 209
MacDuffee, Allison. Francis Bacon Henry Moore Terror and Beauty at the Art Gallery of Ontario, 262 – 275
Maier, Vivian. A Genius in the Darkroom, 180 – 193
Marshall, Lee. The Budapest Hotel: Wes Anderson’s Fabulous Fancy, 242 – 251
Posner, Michael. Theatre of Revolution, 222 – 231
Smith, Judy. How to Get There, (fiction), 284 – 295
Fall 2014 Issue
Berman, Rachel. Rachel Berman 1946 – 2014, 422 – 441
Bond, Bruce. May 3rd, (verse), 476 – 477
Bond, Bruce. The Window, (verse), 472 – 475
Buchan, William. The Long Shot, (verse), 468 – 469
Carter, Sarah. Vigorous and Wholesome Canadian Brides of British Peers and Their American Rivals, 334 – 347
Dale, Tom. The Doors of Nostalgia, 442 – 451
Deahl, James. The Harbourmaster, (verse), 470 – 471
Doré, Gustave. Master of Imagination National Galley of Canada, 378 – 389
Foran, Charles. Belfast’s Murals The History of the High Walls, 362 – 377
Fulford, Robert. Sigmund Freud and the Daimon of Literature, 390 – 399
Gibson, Brian. Home is Where the History Is Life in a Small Town Famous for Its Big Past, 348 – 361
Hunt, Wayne A. Privacy and the Creative Imagination in the Age of Data Surveillance, 412 – 421
Marshall, Lee. Ida A Beautiful, Sombre Gaze, 400 – 411
Porter, Anna. Farley Mowat 1921 – 2014, 326 – 333
Prior, Michael. Beavered, (verse), 466 – 467
Ŝukys, Julija. The Names of a Place, 454 – 465
Winter 2014 Issue
Agnes Etherington Art Centre. Picturing Practice in the European Tradition, 580 587
Baines, Gary. Cabin in Wales, (verse), 624 - 625
Clausen, Christopher. Gardening in the Wilderness, 582 - 595
Colman, Robert. Fealty (verse), 632 - 633
Davies, Joe. The Last of the Flying Monkey Hugs (fiction), 616 - 623
Friesen, Eric. Silent Night: Love in a Cold Climate, 500 - 511
Fulford, Robert. The Wayward Course of Memory, 528 - 539
Lovel. W. George. Postcard from Guatemala, 566 - 581
Marshall, Lee. Boyhood: The Beautiful Mundane Moments, 554 - 565
McMichael Collection Morrice and Lyman: In the Company of Matisse, 512 - 527
McVey, David. Thirty-Nine Steps, I Counted Them, 540 - 553
Montreal Museum of Fine Art. Van Gogh to Kandinsky: Impressionism to Expressionism, 1900–1914, 486 - 499
Oluic, Todor. Scents (Home & Away), (verse), 626 - 627
Steinberg, Josh. on visiting old flames, (verse), 628 - 629
Wayman, Tom. Kim Kratky (1946–2013), (verse), 630 - 631
Wylie, Liz. Even Curators Get the Blues (with apologies to Tom Robbins) or How I Spent My Summer Staycation, 596 - 607