Sounds and sights

Sounds and sights

By Communications Staff

October 10, 2018

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Matt Rogalsky]
 The Faculty Artist Series starts Sunday, Oct. 14 with the concert ‘Visitations and Revisitations: Matt Rogalsky and Friends’ at the Isabel Bader Centre for the Performing Arts. (Supplied photo)

A highly-versatile composer and sound artist, Matt Rogalsky is well known for his work with a wide range of performers and arts organizations. 

A continuing adjunct assistant professor at the Dan School of Drama and Music, Rogalsky also received one of the first Mayor’s Arts Awards in 2017 for his multifaceted and generous approach to creating music.

[Discipline]
Also being hosted at the Isabel is the sound installation 'Discipline' by composer, sound artist and continuing adjunct assistant professor at the Dan School of Drama and Music Matt Rogalsky. (Supplied photo) 

On Sunday, Oct. 14, Rogalsky leads off the Faculty Artist Series with a concert titled: ‘Visitations and Revisitations: Matt Rogalsky and Friends’ at the Isabel Bader Centre for the Performing Arts, starting at 2:30 pm.

In curating the concert, Rogalsky invited Kingston composers and visual artists, Julia Krolik, Owen Fernley, Robert Mulder and Queen’s Music Professor Emeritus Kristi Allik to take part. The end result is a concert that will stimulate both the eyes and ears, using the surround-sound capabilities of the Isabel Concert Hall to full potential. Violinist, Gisèle Dalbec-Szczesniak, and cellist, Jeff Hamacher, will also be featured performers in compositions that integrate live instruments with electroacoustic music.

“My pieces on the ‘Visitations and Revisitations’ programme continue lines of work that seems to inevitably revolve around explorations and honourings of place, people, and memory,” Rogalsky says about the concert. “Two pieces stem from other lines of research which have been ongoing for some years. All the works combine elements of acoustic and electronic sound, where the electronic sound is often derived from underlying acoustic sources which may be revealed or remain unheard.”

Four of the compositions are accompanied by graphical projections by Krolik and Fernley, which respond to sound in real time.

The Isabel has also provided support in presenting Rogalsky’s sound installation “Discipline” in the Art and Media Lab in conjunction with the concert.  The installation features 12 beautiful electric guitars and is accessible during intermission and after the concert and will remain open to the public Oct. 15-19, from 10 am-4 pm.

Tickets are available from the Isabel Bader Centre for the Performing Arts.

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