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The Social History of Popular Music
A survey of important trends in 20th-century Western popular music. Topics include genres, individual artists and groups, record labels and stylistic trends, and sociological issues.
By the end of the course, students will be able to
- demonstrate a solid foundation in relevant musicological terms and concepts
- understand and discuss the social and political context in which we experience pop music
- understand and discuss raced and gendered approaches to the study of popular music
- address the question; What does it mean to experience popular music?
Initial Song Review (no marks): Post a link to your favourite song on YouTube. Post a one or two paragraph explaining why it's your favourite. This is not a “formal” assignment, so no title page or references are required. There are no marks for this assignment, but it is a requirement for your credit.
Part 1: Describing popular music charts (25%): Select a chart from a major popular music magazine. Search on-line to identify all of the performers listed on the charts (soloists & bands). Identification includes: names; musical responsibilities (e.g. lead singer, drummer, MC, etc.), gender; sexual orientation; ethnicity/race; nationality; and anything else you think we need to know to get a “picture” of the musicians on your chart. Construct a spreadsheet to display your information, which should include descriptive stats on who does what (e.g. x performers on chart; y% are exclusively singers; z% are women; aa% are women who play instruments; etc.). (spreadsheet)
Part 2: Analysing pop music charts (25%): Report on one or two of the acts from your assignment # 1 music chart (soloists or whole bands). Explain how these performers fit into their socio-historical musical context, OR, explain an absence in your chart. (4-5 pages)
Book review (25%): Choose a book from the book review list.Tell us if it’s a book that’s worth your classmates’ valuable time to read. Your review should include a summary of the book, which will probably note several highlights. The remainder of the review should address questions or issues such as, but not limited to, the following: Did you enjoy this book? Is it well written? Does it sound accurate/believable? (Is it credible?) Did the book inspire you to seek out the artists’ material? Did that material sound and/or look as you expected? What the author’s intention? Does the book tell a limited or very focused story, or does the author offer a sense of the subject’s socio-historical context? What do you expect will happen next to the book’s subject? Should other people read this book? The strongest reviews will explain the writer’s reactions, i.e. do not simply write what you thought about the book; always explain why. Remember: you are reviewing the book, NOT the artist. (4-5 pages)
Books available to review (available at Queen’s Campus Bookstore):
Ahmad, S. (2010). Rock & Roll Jihad: A Muslim rock star's revolution. New York: Free Press.
Bidini, D. (1998). On a cold road. Toronto: McClelland & Stewart.
Des Barres, P. (2008). Let's spend the night together: Backstage secrets of rock muses and supergroupies. Chicago: Chicago Review Press.
Dixon, W, & Snowden, D. (1989). I am the blues: The Willie Dixon story. U.S.A.: Da Capo.
Motley Crue. (2002). The dirt: Confessions of the world's most notorious rock band. New York: Harper Collins.
O’Brien, J. (2007). Like an icon. New York: Harper Entertainment
Pope, C. (2001). Anti diva. Toronto: Vintage Canada.
Song review (25%): Choose a “pop” song. Tell me if it’s a song that’s worth our attention. Your review should address four key ideas: 1. Is the song worth our attention? (and maybe, Do I like it?) 2. What musical elements are critical to the song’s impact? 3. Put the song into its socio-historical context. 4. Why might someone else feel differently than you do about the song? (4-5 pages)
|Unit 1||The Theoretical Lens||Chapter 1|
|Unit 2||The Seven Elements of Music and the early days of Popular Music||Chapter 2|
|Unit 3||Social Dance and Jazz||Chapter 3|
|Unit 4||Tin Pan Alley, Race and Hillbilly Music||Chapter 4 & 5|
|Unit 5||The Swing Era & Post-War Pop||Chapter 6 & 7|
|Unit 6||The Birth (and death?) of Rock'n'Roll, American Pop, and the British Invasion||Chaper 8 & 9|
|Unit 7||Folk Music and the 1960s||Chapter 10|
|Unit 8||Early Metal, 1970s Pop and Disco, and CanCon||Chapter 11|
|Unit 9||1970s "Outsiders' Music"||Chapter 12|
|Unit 10||MTV, "Relief Rock," Hip Hop, and more Metal||Chapter 13|
|Unit 11||Metal, Hip Hop, Grunge, and Riot Grrrls||Chapter 14|
|Unit 12||The 21st Century||Chapter 15|
Textbooks and Materials
CDS reserves the right to make changes to the required material list as received by the instructor before the course starts. Please refer to the Campus Bookstore website at http://www.campusbookstore.com/Textbooks/SearchEngine/ to obtain the most up-to-date list of required materials for this course before purchasing them.
- Barkey, E.F.; Garofalo, R; & Bowman, R. (2013). Rockin' Out with additional material: Custom edition for Queen's University.Boston: Pearson.
Students will also do a book review on one of the following books:
- Ahmad, S. (2010). Rock & roll Jihad: A Muslim rock star's revolution. New York: Free Press.
- Bidini, D. (1998). On a cold road. Toronto: McClelland @ Stewart.
- Des Barres, P. (2008). Let's spend the night together: Backstage secrets of rock muses and supergroupies. Chicago: Chicago Review Press.
- Dixon, W, & Snowden, D. (1989). I am the blues: The Willie Dixon story. U.S.A.: Da Capo.
- Motley Crue. (2002). The dirt: Confessions of the world's most notorious rock band. New York: Harper Collins.
- O'Brien, J. (2007). Like an icon. New York: Harper Entertainment.
- Pope, C. (2001). Anti-diva. Toronto: Vintage Canada.
To complete the readings, assignments, and course activities, students can expect to spend, on average, about 10 - 12 hours per week on the course.
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About Credit Units
Queen’s courses are weighted in credit units. A typical one-term course is worth 3.0 units, and a typical two-term course is worth 6.0 units. You combine these units to create your degree. A general (three-year) BA requires a total of 90 credit units.
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The deadlines for new applications to Queen’s are 1 April (for May summer term), 1 June (for July summer term), 1 August (for fall term), and 1 December (for winter term). All documents must be received by the 15th of the month following the deadline. You can register for a course up to one week after the start of the course. See also Dates and Deadlines.
Tuition fees vary depending when you start, your year, faculty, and program. Fees for 2014-15 first-year Distance Career Arts & Science Canadian students are as follows: for a 3.0-unit course, $605.31; for a 6.0-unit course, $1210.62. See also Tuition and Payment.
All textbooks can be purchased at Queen’s Campus Bookstore.
All Queen’s Arts and Science Online courses are open to students at other universities. Before applying as a visiting student, request a Letter of Permission from your home university that states that you have permission to take the course and apply it to your degree. See also Apply.
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